{"id":153,"date":"2022-01-21T07:20:00","date_gmt":"2022-01-21T07:20:00","guid":{"rendered":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/?post_type=portfolio&#038;p=153"},"modified":"2022-02-22T21:48:15","modified_gmt":"2022-02-22T21:48:15","slug":"february-22-the-grid-as-episteme-and-cultural-technic","status":"publish","type":"portfolio","link":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/portfolio\/february-22-the-grid-as-episteme-and-cultural-technic\/","title":{"rendered":"February 22 \u2013\u00a0The grid as episteme and cultural technic"},"content":{"rendered":"\n<p><strong>Reading<\/strong><\/p>\n\n\n\n<p>\u2022 Theodore Kaczynski, \u201c<a href=\"https:\/\/drive.google.com\/file\/d\/1InUY_9cUQC-37fQ0P-RB8Rcsls0i_YAD\/view?usp=sharing\">Industrial Society and Its Future<\/a>,\u201d <strong>paragraphs 1-5, 24-58, and 99-142<\/strong>, from <em>Technological Slavery: The Collected Writings of Theodore Kaczynski, aka The Unabomber<\/em>, 2010,<br>(Originally published by <em><a href=\"https:\/\/www.washingtonpost.com\/wp-srv\/national\/longterm\/unabomber\/manifesto.text.htm\">The Washington Post<\/a><\/em> in September 1995)<\/p>\n\n\n\n<p>\u2022 Bernhard Siegert, <em>Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real<\/em>, chapter 6, \u201c<a href=\"https:\/\/drive.google.com\/open?id=1LAsCW3Vaou_v77LnhOPGqV9klbL0_iO2\">(Not) in Place: The Grid, or, Cultural Techniques of Ruling Spaces<\/a>\u201d, pg 97-120<\/p>\n\n\n\n<p>\u2022 Rosalind Krauss, \u201c<a href=\"https:\/\/drive.google.com\/open?id=199jtrv2dJwZiLHfhNQWc2TsdZNcLe5P0\">Grids<\/a>,&#8221; from the journal <em>October<\/em>, Summer 1979<\/p>\n\n\n\n<p>\u2022 (Optional.) David Skrbina, \u201c<a href=\"https:\/\/drive.google.com\/file\/d\/1InUY_9cUQC-37fQ0P-RB8Rcsls0i_YAD\/view?usp=sharing\">Introduction: A Revolutionary for Our Times<\/a>,\u201d from <em>Technological Slavery: The Collected Writings of Theodore Kaczynski, aka The Unabomber<\/em>, 2010, pg 11-34<\/p>\n\n\n\n<p>\u2022 (Optional.) Gilles Deleuze and F\u00e9lix Guattari, \u201c<a href=\"https:\/\/drive.google.com\/open?id=1LAy67LVP1h15QE4i3m4CnrCMzNh-7Qhj\">The Smooth and the Striated<\/a>,\u201d from <em>A Thousand Plateaus: Capitalism and Schizophrenia<\/em>, 1987<\/p>\n\n\n\n<p>\u2022 (Optional.) Michel Foucault, <em>The Order of Things<\/em>, <a href=\"https:\/\/drive.google.com\/open?id=1LAazDq9MCoEcfmJlUJJUs1GfO5E3q7vC\">Preface<\/a>.<\/p>\n\n\n\n<p><strong>Class artifacts<\/strong><\/p>\n\n\n\n<p>Links: <a href=\"https:\/\/drive.google.com\/file\/d\/1QdQ-kRijuL6bgRSuFJMaMfzh5jrXLywa\/view?usp=sharing\">Presentation slides<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reading \u2022 Theodore Kaczynski, \u201cIndustrial Society and Its Future,\u201d paragraphs 1-5, 24-58, and 99-142, from Technological Slavery: The Collected Writings of Theodore Kaczynski, aka The Unabomber, 2010,(Originally published by The Washington Post in September 1995) \u2022 Bernhard Siegert, Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real, chapter 6, \u201c(Not) in Place: The &#8230;<\/p>\n","protected":false},"author":1,"featured_media":155,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio-category":[6],"portfolio-tag":[],"class_list":["post-153","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-readings"],"_links":{"self":[{"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/portfolio\/153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/comments?post=153"}],"version-history":[{"count":4,"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/portfolio\/153\/revisions"}],"predecessor-version":[{"id":379,"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/portfolio\/153\/revisions\/379"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/media\/155"}],"wp:attachment":[{"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/media?parent=153"}],"wp:term":[{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/portfolio-category?post=153"},{"taxonomy":"portfolio-tag","embeddable":true,"href":"https:\/\/classes.codeatlang.com\/digital-media-off-the-grid\/2022-spring\/wp-json\/wp\/v2\/portfolio-tag?post=153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}